In 1989, underground filmmaker Shinya Tsukamoto wrote, directed, produced, edited, and co-starred in Tetsuo: The Iron Man. It became astoundingly influential in the cult, cyberpunk, and pop art scenes of the era, leading to surprising mainstream penetration in the form of movies (Darren Aronofsky’s Pi [1998], for example, would not exist without Tetsuo’s success), music videos (Portishead’s “Machine Gun”), and advertising (Tsukamoto teamed with Trent Reznor for an MTV promo t

It’s always exciting when I get a review copy of a film I almost covered for a podcast. It’s extra exciting when I get a review copy of a film I almost covered on multiple episodes of the podcast. Donald Farmer’s Scream Dream (1989) was initially going to be included on the four-part podcast Patrick Ripoll and I recorded about Shot-on-Video (SOV) Horror Movies (listen to part one here). Then it was going to be included with our two-part SOV Addendum podcast (listen to part on

BATTEN DOWN THE HATCHES AS WE TAKE A DIVE INTO THE MORE BUDGET-FRIENDLY VERSION OF THE DARK AND BRINY!! Gabe and Patrick Ripoll are back with another look at the Deep Sea Sci-fi/Horror movies of the year 1989 (and 1990, if we’re getting technical). We talked about three studio-backed productions in part one. Now, part two covers the four indie releases: Mary Ann Fisher’s Lords of the Deep, Antonio Margheriti’s Alien From the Deep (Italian: Alien degli abissi, aka: Alien from

Sold as a softcore curiosity in the midst of the Porno Chic boom (“Women will understand…Men will be shocked,” cried the adline), Theodore Gershuny’s Sugar Cookies (1973) was a commercial and critical flop, and would’ve been little more than a forgotten oddity, had it not been for the uncommon confluence of cult stars that made it.