LUCHA VS ICE T-shirt and sticker! Blue Demon llega a la ciudad y tiene un mensaje especial para el Servicio de Inmigración y Control de Aduanas... Get yours RIGHT HERE! and RIGHT HERE! And be sure to check out our OTHER DESIGNS! As before, these are print-on-demand shirts, not traditional silkscreen. Now that I know a little better how that process works, I'm trying to design stuff with its limitations in mind. I was happy with the sample. Hopefully some of you will be too. A

While Putra and Liliek Sudjio, who directed the similarly influential The Queen of Black Magic (Indonesian: Ratu ilmu hitam, 1981), set the template for Indonesian horror in the ‘80s, H. Tjut Djalil quickly established a new baseline for how insane the region’s genre output would become. Little is known about his directorial debut, Benyamin spion 025 (1974), but his second feature, Mystics in Bali (Indonesian: Leák, 1981), is an unhinged, shock-a-minute crowd-pleaser that has

Indonesian genre cinema saw a major boost over the last decade, thanks to streaming distribution models, the efforts of a new crop filmmakers, including Gareth Evans, Timo Tjahjanto, Kimo Stamboel, and Joko Anwar, who brought a new flavor of martial arts action and Southeast Asian horror to international audiences who’d grown tired of the Hong Kong and Japanese influences of the early ‘00s. These films are themselves rooted in a series of films that emerged in Indonesia durin

Prior to 1970, the Hong Kong film industry was firmly in the hands of Shaw Bros. Studios, who exerted a near-monopoly on production and distribution. But things began to change as television became a key piece of the entertainment market, censorship standards shifted, and executives Raymond Chow, Peter Choi, and Leonard Ho left Shaw to found Golden Harvest Studios. Golden Harvest embraced the independent market and offered up-and-coming artists and performers relative creativ